Archive for the 'Settings' Category



Run away!
by Jessa Slade on February 16th, 2009

holygrail

Currently working on: Nothing!
Mood: Somewhat guilty, actually

With winter still firmly plunked on the Pacific Northwest in the form of gray skies, gray water and gray moods, this week’s topic about imagining our characters on winter holiday is particularly fun. What makes it even more fun for me, is that I’m not here! I’m in Chicago on break.

Yeah, the Windy City in February. Okay, so it’s not where most people — or characters — dream of spending a few free winter days. But I have a bit of research to do. As I mentioned once before, Liam and Jilly, the leads from Book 2, get into a spot of trouble on the ‘L,’ the elevated train tracks downtown. I also need to make a run through Chinatown, go dancing at a cool nightclub, and hit up this supposedly awesome bra boutique, which are all things my hero and heroine do. Yes, even the underwear shopping. Although the hero did that, so you know it’s fiction. I would PAY my hero to go bra shopping for me.

But I digress. That’s what happens when you’re slacking on vacation.

Actually, my heroes don’t get much time off. Saving the world, blah blah. Their version of downtime is sharpening their weapons. If Sera and Archer from Book 1 were contemplating glossy four-color brochures of potential holidays away, their conversation might go something like this:

Sera: You’d look fantastic in that Speedo, love.

Archer: Where would I keep my bad-ass recurved demon-slaying ax? Would that count as a carry-on or personal item?

And that would be the end of Sera and Archer’s Caribbean adventure. So until they rid the world of evil, they’re stuck in Chicago. And I’m with them for a long weekend.

If you could put aside your saving of the world for a weekend, where would you want to go right now?

Quiet on the set…
by Annette McCleave on January 20th, 2009

I have a love of all things Scottish, and when I thought of my favorite settings, Scotland was the first image to pop into my mind. I’ve set several of my manuscripts there and never fail to sigh over the stark beauty of the Highlands.

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But I didn’t stop at my first thought. I dug a little deeper, asking myself if there was a common thread between the varied locations I’ve chosen to set my stories and scenes. And there was, sort of. The common thread turned out to be contrast. Familiar, comforting places that are invaded by danger, ordinary grass and trees that mask cliffs and bogs, a garden or park that changes into a deadly arena for demon battles at nightfall.

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I’ve had some fun with this. I once wrote a fight scene that took place in the vegetable aisle at a grocery store. Why? Because grocery shopping is a familiar, almost thoughtless task. People do it on auto-pilot. They aren’t expecting to fend off demons at the Safeway. In one of my scenes in DRAWN INTO DARKNESS, the setting is an ordinary city street just before dawn, and the risk comes from two McDonald’s employees armed with cups of coffee.

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Seriously, though, my favorite settings depict dramatic contrast—from a scene that takes place in a calm blue oasis on the coldest, driest continent on Earth to a confrontation with evil that takes place in a schoolyard surrounded by parents in parked minivans. Contrast keeps my characters off-balance, and I think that’s a good thing.

When reading a book, what do you enjoy most—visiting new and exotic locales, or walking along real streets and into places you’ve actually been?

Setting the stage
by Jessa Slade on January 19th, 2009

First, a huge thank you to everyone who commented during our inaugural (yes, I have inauguration on the brain) contest here at Silk And Shadows. We had such fun, I’m sure we’ll be doing it again soon. If you’re eager for more contest good times right now, check out our prize at Romance Junkies.

Currently working on: The hero & heroine encounter
the bad guy face-to-face for the first time — dum da DUM!!!
Mood: Hesitant (i.e. not very heroic)

I just finished a fight on the ‘L’ in Chicago. Well, not me personally, of course. My hero and heroine.

Minor spoiler: They survived. No thanks to me.
l-poster
When it comes to settings, some places just cry out for a scene. Somehow, I wrote SEDUCED BY SHADOWS without a fight on the ‘L’ even though my visual storyboard has a picture that represents the vaguely cathedral-esque scaffolding that supports the elevated train tracks crisscrossing the city. I vowed to rectify that oversight in book two. The ominous rumble of the train, the sharp scent of cold metal, the dangerous imbalance of trying to run across slick rail ties with a horde of hungry demons on your ass desperately needed telling.

My favorite settings to write about are places with the potential to set the mood, to create action, and to reveal character. Yeah, I want the setting to work hard. It’s not the place, particularly, it’s the potential.
poster-peristyle
The Second City
I chose Chicago for the setting of The Marked Souls series because I thought a story about good and evil for dominion of the human soul should have a setting that could be — in a way — ‘Anyplace USA’ yet capable of containing many contrasts. To me, Chicago is kind of the Jan Brady of big American cities; it’s stuck in the middle. Neither sophisticated East Coast nor bohemian West, its world-class museums, theaters and business sector were built on the bloody stockyards. The city delights in its crooked politics (“Vote early! Vote often!”) and yet it coughed up the key player in one of the most historically significant elections in the nation. Even its weather is a study of contrasts — sweltering summers alternate with vicious winter winds, but they call it the ‘temperate’ zone. The story might really be about the light and darkness at war in everyone, but I hope the setting reflects that until the city itself becomes a character.
poster-wacker
These cool old posters encouraged Chicagoans of the 1920s to discover something new. Even though I grew up in the suburbs outside Chicago, I didn’t know the city well, so this is my chance to explore too.

Since the story is set in Chicago, I suppose I need a car chase down Lower Wacker too. You Blues Brothers fans can insert your favorite quote here. Mine? “It’s 106 miles to Chicago, we’ve got a full tank of gas, half a pack of cigarettes, it’s dark and we’re wearing sunglasses.” One of these blogging weeks, we’ll have to discuss soundtracks.

Meanwhile, have you ever been someplace that needed only a hero and a heroine — or a villain — to come alive on the movie screen of your mind?