Archive for the 'Research' Category



Nothing to fear
by Jessa Slade on October 10th, 2011

Currently working on: Shiny new idea!
Mood: Squawky

October here is the darkening month, heading toward Halloween when spooks and specters and Pixy Stix come out to play. I find Halloween very interesting because on the one hand, it is so child-oriented, with Disney princess costumes and reminders to trick-or-treat with a flashlight so cars don’t squish you on the street — emphasizing safe and fun — while on the other hand, ghastly monster masks hang next to fake blood in capsule size, spray can “for covering larger areas”, and gallon o’ blood, presumably for the buffet table.

laughing scared

Researchers suspect people like to be scared because of the emotional thrill of “surviving” a dangerous encounter. The mingled “happy plus horror” experience is on wild display at Nightmares Fear Factory photo stream.

This haunted house takes pictures of people at the heights (depths?) of their fear. And a surprising number of times, they are smiling. And you get the feeling that all of them are giggling wildly when they finally escape.

Fun and fake fear seem to go together like… um, Halloween candy and running around wildly. Maybe that’s why blood and gore and belly guffaws appeal to me. One of the most fun mixes I’ve seen lately is the new movie Tucker & Dale vs. Evil. The movie takes a classic horror scenario — murderous hillbillies stalking innocent college students — and flips it all around.

I don’t know what my biggest fear is. I mean, I’d be scared if I was audited, and I wouldn’t want to be chased by a grizzly, but I don’t think those are unnatural fears. I like spiders well enough, pitch darkness doesn’t frighten me, and I can speak in public without throwing up (although I do sweat a little). But even though it might be useful to have a personal experience with terror to apply to my writing, I don’t think I want any real fears. I’d rather stick with the fun fear where I can giggle afterward.

Do you have any truly terrible fears? And if you’ve ever experienced anything horrifying, did that change your tolerance for fun fear?

Mythology
by Annette McCleave on May 10th, 2011

After watching the new Marvel movie, Thor, over the weekend—along with thousands of other folks—I expect a surge of interest in Norse mythology. Mythology makes a great basis for storytelling, and it worked for Tolkien and Rowling, so I say embrace it.

There are two ways use mythology in your stories:

- Stay faithful to the legends and be very careful about the details you include, treating your story like a fictionalized historical.

- Play with the mythology—even blend it with other mythologies—to create your own twist on the old stories.

Fantasy authors have been doing both successfully for years. Tolkien and Rowling both played with mythology, creating a unique world that is wonderfully identifiable to their stories. Many have copied them.

Is there a right approach? Not really.

But the reason many authors tweak mythological tales to suit their own needs is that the old tales are restrictive. You can’t stray off the beaten path without a fan of the old tales pointing out your error. If you create your own variation of the old tales, there are no beaten paths. Everything is fresh, new, and malleable.

You don’t need to stick to Norse mythology. Almost every region of the world has its own set of tales, from Hindu to Celtic, from Egyptian to North American Indian. There are plenty of stories from which to draw. I’ve used both Egyptian and Japanese mythology in my Soul Gatherer series so far.

One of best investments a paranormal/urban fantasy author can make is the purchase of a thick tome of mythology. Or several. I haunt the discount shelves at my local bookstore and regularly find texts on Greek myths, the Celtic druids, and Ancient Egypt—to name a few. And I’ve found all of them helpful at one time or another.

Anyone have a favorite mythology reference?

Book Learning
by Sharon Ashwood on April 28th, 2011

How does one salve one’s conscience when one doesn’t actually feel like writing? I’ve begun to think the answer is books on writing. Maybe not creating them because that’s, like, writing, but COLLECTING them is certainly one of the best forms of procrastination going. I have shelves of the suckers. But how useful are they? Once you’re past the “how to format a manuscript” stage, and you know all about grammar, spelling, and punctuation, what can these tomes do for you besides make one look very writerly?

As far as I can tell, these books fall into a few categories. There are reference works for writers: handy-dandy guides to poisons, what happens at a crime scene, how to survive in the Regency era, etc. It’s pretty easy to figure out which of these you need and they are by far my favourite type. Just the facts in small words that even writers can understand. Here are two I go to again and again:

Then there are writing guides that are structure-focussed books. How to write mysteries/horror/romance/bestsellers, etc. Mileage on these varies hugely. I’ve yet to find a really good one on horror. And, even when these guides are good, they need to be applied with common sense. Take romance for instance: Are you really going to use the same approach for writing a Harlequin Presents as for a dark paranormal romance? Hmm—the Cowboy Vampire Firefighter’s Secret Baby Werewolf Surprise?

For good genre-fiction techniques in general, I personally like Writing the Breakout Novel by Donald Maass and Bob Mayer’s incomparable Toolkit.

There are books about finding one’s writing inspiration, but I’ve never been inspired to pick them up.

There are also myriad books about individual issues, like dialogue, description, character and so forth. I suppose that one could fill a book with a minute examination about one of these topics, but I’m not sure I’d want to read it. The best straight-up advice I’ve found is in Stephen King’s On Writing. He has a fabulous way of getting right to the point. I’ve pulled more nuggets out of this volume than any other, and only half of it is how-to.

I’m sure there are plenty of other fabulous choices, and some might be gathering dust, unread, on my shelf. The point is that I think once you’ve found those craft guides that resonate with your process, those are the keepers. It won’t be the same list for everyone, and that’s okay.

Craft Book Review: Story Engineering
by Jessa Slade on March 28th, 2011

Currently working on: Evil fairies
Mood: Anti-Tinkerbell!

First things first…

In case fellow Silk And Shadows author Sharon Ashwood forgets to mention it, she is a finalist in the Romance Writers of America RITA awards for UNCHAINED! The RITAs are for romances what the Oscars are for Hollywood. Yes, it is that cool! The awards even kinda look the same:

oscar

rita

Exhibit A: Oscar

Exhibit B: RITA

Actually, looking at them together, they could be characters in their own romance! “He was upright. She was demure. Together, they were… Solid Gold!”

The winners will be announced at the RWA national conference in NEW YORK CITY in July. Good luck, Sharon!!! Meanwhile, we can print a convenient shopping list of the finalists at the RWA website.

Now onward to my regularly scheduled post…

I read a lot of books on the craft of writing because I fantasize that one day I will find a magical technique that makes writing easy. Sadly, this has not happened yet. I am told it is unlikely to happen (by the same people who probably think unicorns don’t exist) and still I persist.

While I wait for this magical tome, I have found a lot of other good stuff over the years. Most recently, I finished “STORY ENGINEERING: Mastering the Six Core Competencies of Successful Writing” by Larry Brooks.

If I can’t have “easy,” I guess I’ll settle for “mastery,” “success,” and “six.”

What I liked about this book:

It’s left-brained focused. Hence the “engineering” in the title. I already lean strongly toward left-brain thinking so the information is presented in a way that’s comfortable and appealing to me. While the information probably isn’t totally new to anyone who’s been around the craft book block, this presentation is very parsed and analytical, which makes it seem… I don’t want to say easy (still waiting for easy) but manageable.

Some of the previously murky techniques I’ve wrestled with in the past that Brooks’ interpretation made clearer:

  • Idea vs. concept vs. theme
  • The maximum-effect interplay between a character’s inner and outer conflicts
  • The difference between hook and inciting incident

What didn’t work as well for me:

  • There are a few too many digs at seat-of-the-pants/organic writers for my taste. If you are a pantser, you’ll have to ignore those parts.
  • Despite this being an “engineering” book, there weren’t many charts or graphs or step-by-steps. I can extrapolate from the material, but they aren’t laid out for me. And I do love charts.
  • If you read in order, there are a lot of references to material you haven’t covered yet. This is inevitable since every story is an interwoven tapestry of threads, so pulling on one pulls on them all. But if you are brand-new to the basic theories of story structure, I think it might get confusing.

Favorite snippet from the book:

“…you’ll be wallpapering your padded cell with rejection slips.”

He says that like it’s optional!

Final thoughts:

Some of the material from this book is available in posts at StoryFix and a one-page printout of some of the key concepts is at Writers Digest. But the bulk of the info is best assembled in the book itself. It has a lot of passages worth re-reading so although I borrowed a copy from my beloved local library to preview, I’ll be buying a hard copy for my keeper craft shelf.

If you have favorite craft books — writing, cooking, knitting, whatever — please share in comments. I’m always looking for ways to make life easier!

rtcLastly…

Last week I mentioned that I was designing Romance Trading Cards to take with me to various romance reader conventions this summer. Now I have them in my hot little hands! If you’d like a set in all their shiny glory, email me (jessa at jessaslade dot com) with your physical address (sorry, US addresses only) and I’ll send you a set of the three Marked Souls cards.

News you can use
by Jessa Slade on March 14th, 2011

Currently working on: 4 projects
Mood: Juggling

“A good scare is worth more to a man than good advice.”
~Edgar Watson Howe, Country Town Sayings, 1911

I believe wholeheartedly in the value of learning through hands-on experience, but I also don’t see the point in reinventing wheels, so I am always on the lookout for good advice. I poke around on websites, I listen to webinars, I attend workshops, all in pursuit of info I can use.

But, wow, there’s a lot of bad/misleading/conflicting advice out there. How do you process the wheat from the weevils?

1. Start with good sources.

Despite the seemingly overwhelming amount of info available to even a causal seeker these days, it doesn’t take long to start seeing patterns. Some sources are referred to again and again. (Others are dissed repeatedly.) Pay attention not just to what the sources are saying, but what other people are saying about the sources. For example, when it comes to research, Wikipedia is an easy resource (usually the first link on Google) but it is only as reliable as the anonymous authors contributing to its entries.

2. Even with good sources, identify potential biases.

Guilty confession: I like the Drudge Report and The Daily Show. I figure if I get my “news” from these two sources, their opposite ends of ridiculousness cancel each other out and I can call myself an informed citizen. Okay, not really, but I think those are good examples of sources that have nuggets of usable info even though both have their readily identifiable slants.

3. Stay flexible and attentive.

Situations change over time. A source that was reliable about one topic may not be up to date with changes elsewhere. And up to date doesn’t necessarily mean comprehensive. Watching the terrible news about Japan play out over the instantaneous Twitter and the more established news sites has been an interesting study in the strengths and weaknesses of those two source forms.

Here are a few of my go-to sources:

Researching editors and agents: Writer Beware and AbsoluteWrite

Writing community: Savvy Authors

Reader mindsets: Dear Author and Smart Bitches Trashy Books

Business of romance writing: Romance Writers of America

If you have favorite sources, please post links in comments. I’m always looking for new resources.

A dragon by any other name…
by Our Guest on July 8th, 2010

[Note from Jessa: I met Tracy at the Romance Writers of American conference last year at a lunch hosted by our literary agency.  Right there, I fell in love with Tracy's hot and steamy erotica covers, but I think I'm even more excited about these dragons!  Check it out and don't forget to leave a comment for a chance to win a copy of her latest book!]

I’m so excited to be here today, talking about Dark Embers, the first book in my brand new Dragon’s Heat series.  Though I’ve been published for a couple of years now as Tracy Wolff (erotic suspense and Harlequin Superromances) this week marks more than the debut of a new series for me-it also marks the debut of a brand new name, Tessa Adams. 

Building a new name in today’s competitive market is difficult, but that’s not what I wanted to talk to you about today.  Today, I wanted to talk about a different type of naming altogether-one that is even harder.  That naming, of course, is the naming of my characters. 

When I first started writing professionally, I thought I’d have no problem coming up with names for my characters-after all, there are a million (more probably) names in the world. How hard could it be?  Ha!  That question shows you how much I knew.

Admittedly, sometimes it’s not difficult at all to find the right name and other times it’s so hard that I feel like ripping my hair out.  For example, I’m launching a dark and angsty Young Adult series in early 2011, centering around a strong female protagonist who is the daughter of a professional surfer and a mermaid.  As her seventeenth birthday approaches, she must make a choice-does she stay human or become mermaid?  Naming her was easy for me-Tempest came to me early on in the process and fit her like a glove.  Naming my dragons, on the other hand, was terrible.

As I sat down to write Dark Embers, I spent a long time wondering what a good name would be for a dragon.    Obviously, it had to be strong and sexy and hot (pun totally intended).  And, to make matters a million times worse, I didn’t need to name just one dragon- I had to name nine.  After all, when you set up a series, you need to start bringing in a group of secondary characters fairly early on-otherwise, your readers won’t be very vested in the next book in the series.  So, suddenly, I not only had to name the King of the Dragonstar clan (who turned out to be Dylan, btw, which means, powerful, with great influence, like a lion, son of the sea or son of magic, depending what source for name origins you look at-it seemed the perfect name for my tortured, reluctant yet incredibly powerful King) but I also had to name his sentries-the men who helped him protect his clan. 

After days of playing with names, I reached a really interesting conclusion-I love male names that end in the letter N.  I have Dylan, Quinn, Logan, Ian, Shawn … you get the idea (and is now a good time to mention that heroes of two of my already published books have the names Kevin and Byron???)  Talk about N overload.  To throw some variety in there, I ended up adding in a Gabe (because Gabriel is my all time favorite name ever, so of course he is one of the most amazing characters I’ve ever written) and a Liam, which is so close to ending with an N, I wonder why I even bother.  And after I finally settled on the dragon names, I had to come up with names for their mates-or at least for the first few books, as I had one to write and proposals due on another two. 

And now, that those names are finally taken care of (Phoebe for Dylan, Jasmine for Quinn and Annalisse for Logan), here I am again, struggling to find the perfect names for a brand new urban fantasy series I am working on. 

For my heroine, a direct descendent from the highest priestess of the Egyptian goddess, Isis, she is a body finder, someone who through magic, psychic link, etc. is unerringly drawn to uncover dead bodies.  Playing opposite her are two men (don’t you love a love triangle???) one a beleaguered FBI agent stuck following her across state lines as she discovers bodies and the other a powerful, magical force from her past whose very presence causes her already difficult gift to go haywire.  The only problem … I don’t yet have names for any of them.  So …  

What I thought I’d do, was ask your advice.  Any suggestions for kick-ass female names?  Or for strong, powerful male names?  Leave a suggestion here and be entered to win a copy of Dark Embers.  Thanks in advance, and thanks so much to the wonderful ladies of Silk and Shadows for having me.  I really appreciate it.

_____________________________________

darkembers-300-dpiRead more about DARK EMBERS:

King Dylan MacLeod is one of the last pure-bred dragon shapeshifters in existence-and ruler of a dying race, the Dragonstar clan.  It falls to him to protect his people-and their ancient magic.  He has one more duty: to provide an heir.

Like all dragons, Dylan can only procreate with his destined mate-for whom he’s searched for five hundred years.  His dark, rampant sexual appetite has earned him quite the reputation, all in the pursuit of his one true match.

But his search is delayed when a deadly disease sweeps through the Dragonstars, and Dylan must venture to the human world to find a cure.  He tracks down renowned biochemist Phoebe Quillum, never imagining the beautiful scientist will be the mate he’s been seeking for centuries.  But no sooner do they meet then Phoebe and Dylan are besieged by an obsessive, overpowering sexual desire.

Their passion turns to something truer-and they know in their souls and bodies that they’re in too deep to get out.  And when Phoebe is kidnapped by Dylan’s oldest enemy, he must risk everything to reclaim the only woman he’s ever loved, or his clan will be wiped out forever.

_____________________________________

Prologue

He’d failed. Again.

Locked inside his head, tormented by shades of what might have been, Dylan MacLeod stepped into the night and closed the heavy, wooden door behind him.

He paused for a moment, sucked in a deep breath full of heat and sand and misery. Told himself it was no big deal. Part of him even believed it.

After four hundred and seventy years, he was damn good at lying to himself.

Shoving away from the small house with the cactus garden and the stone swimming pool in the front yard, he walked the deserted street rapidly. It was three a.m., and his only company was a scorpion or two. The desert was quiet, the night solemn.

And he had failed again.

With each step he took, his conscience grew heavier.

With each footfall, his heart grew colder, until he was once again at that place without hope. It was where he usually existed, where he’d spent the last century, mired in guilt and rage and a fear he refused to admit.

That he was here now was his own fault. It had been stupid, even for a moment, to truly believe that she might have been the one.

Agitation made him walk faster, until his boots were pounding the pavement in rhythm with his too-quick pulse. Self-disgust made him shut down inside, until all he could think of was the night.

The stars.

The moon shining brilliantly over the desert.

At least until his jeans sagged around his ass.

With a muttered curse, Dylan yanked the faded denim back into place. Slid the button through the tab, jerked up the zipper.

What did it say about him that this latest encounter had left him so desperate to get away that he hadn’t stayed long enough even to get his clothes on properly? Worse, he hadn’t bothered to say good-bye to Eve . . . Eva? Eden?

For a brief moment, he struggled to remember her name, what she looked like. Then let it go, as it mattered less than nothing. It wasn’t like he’d be seeing her again. Within moments of slipping inside her, he’d figured out that she wasn’t the one-none of the signs were there.

No instant connection between them, as his clan mates so often spoke about.

No burning as the tattoo around his arm shifted to reflect the presence of his mate.

No searing pain as a part of her soul arrowed into his.

Nothing but a mediocre orgasm that had barely given his powers a pulse. Before she’d rolled off him, he’d been plotting his escape. And by the time the shower had kicked on in the bathroom, he’d been halfway to the front door.

God, he was a fucked-up bastard. Cold as ice, despite the fire that raged within him. Hot as flame, despite the glacier that had taken up residence in his stomach. Was it any wonder, then, that he couldn’t find her?

He didn’t deserve her.

His laugh, when it came, was anything but humorous. That had to be the understatement of the year. The decade. The new millennium, and probably the old one, as well. Why else would it have taken him this long to do what everyone else managed in the first two centuries of their existence? Why else would he be doomed to failure night after night, encounter after encounter? He had screwed up generations ago, and now he and his clan were paying the cosmic price. Big time.

His boots ate up the streets in the sleepy little town, as he struggled to put distance between himself and his latest sexual escapade. Wind whipped around him, played with the tails of his shirt, caressed his bare chest. But Dylan didn’t bother buttoning up. What was the point, when he was headed right back to the bar to find yet another female shifter interested in taking it off?

Hope sprang eternal.

As he walked, he scanned the desert around him. Checked out every brush of the wind against cactus; narrowed his eyes at the rustle behind a random pile of heavy rocks. Then shook his head as a low, deep howl split the air next to him. A lonely coyote was the least of his problems.

If someone had told him four hundred years ago that he would be here, in this place, he would have laughed at them. If they’d told him he would grow tired of night after night of hot, anonymous sex, he would have told them they were insane. But youth was like that-arrogant, seemingly invincible, convinced the world was for the taking. Or at least that’s how his youth had been.

He’d spent centuries gorging on women, taking them each and every way he could. Glutting himself on their scent and taste and feel, until his powers reached staggering heights. Devouring whatever they gave him with a grin and a wink and a softly whispered “Thank you.”

He had plenty of time, he’d told his father when the man had advised him to settle down. He was trying to find the right woman, he’d promised his mother when she’d fretted about the future. And then, from one heartbeat to the next, everything had changed.

His brother had been murdered. His parents had died soon after. He’d been crowned king. And just that suddenly, his people, his legacy, were without an heir. Bad enough that the second son was now the king. That he couldn’t find a mate, couldn’t deliver on his family’s legacy, was a nightmare.

There were others-his sister, his niece-who could take his place if he fell. But it wouldn’t be the same. The line of succession, which had remained in his family for more than three thousand years, would fall with him.

One more fuckup from a man who had never wanted to be king in the first place.

Dylan shoved the thought away-what he wanted didn’t play into things anymore. What was best for his people did. And what was best for them now was that he provide them an heir.

He should already have done so, should already have guaranteed his people’s survival through this millennia and into the next. God knew he had tried-for nearly four hundred years, he had tried. And he had failed.

No mate meant no heir.

No mate meant night after night of anonymous sex as he searched for her.

No mate meant a dwindling in his powers that was not just devastating, but downright dangerous-for himself and his people.

His was a precarious state of events for any centuries-old dragon, but for him it was an out-and-out disaster-particularly considering the state his clan was in.

Not that an heir would solve all the problems, but it would solve the most pressing-including the fact that it had been far too many years since a young dragon had been born to Dragonstar.

Far too long since they’d had something to celebrate.

His cell phone vibrated in his pocket, and for one brief second Dylan considered ignoring it. The day had been dismal enough-any more bad news and he might just take flight and never return. The idea was far more inviting than it should have been, far more compelling than it had ever been before.

In the end, he grabbed his phone and flipped it open. Barked “Hello” in a voice he knew was far from welcoming. He was king of the Dragonstar clan, and as such could never be unavailable to his people. That didn’t mean he had to like it-especially tonight.

“Dylan, come quick.”

A shot of uneasiness worked its way down his spine at the panic in his best friend’s-and second- in-command’s-voice. As a rule, nothing fazed Gabe.

“What’s wrong?”

“It’s Marta. She’s-” Gabe’s voice broke. “She’s sick.”

His stomach plummeted to his boots. “Are you sure?”

His brother-in-law’s voice was hoarse. “I’m sure. I tried to deny the symptoms, to ignore them, but that’s not possible anymore. I don’t think-” His voice broke again. “I don’t think she’s going to make it through this.”

“I’ll be there in ten minutes.” Dylan was already running, his boots echoing in the deserted street as he stripped his shirt from his body. He didn’t bother with the pants or boots; they would take too long. Just blurred his image as he started to shift.

Pain-red-hot and intense-as bones broke, reshaped, grew longer.

Pleasure-acute and all-consuming-as he became what he was meant to be.

He ignored both sensations; concentrated instead on making it through the change. One more second. Two. And then he was in the air, his wings spread wide as he soared through the star-bright sky.

Not Marta, not Marta, not Marta. The simple phrase was a mantra in his head as he sped toward his lieutenant’s house, making sure to stay invisible, despite the panic racing through him. So many of his friends, so many of his clan, had been taken from him in the last years. He couldn’t stand to lose his sister-Gabe’s wife-too.

Please, God, not his baby sister, too.

But when he landed in Gabe’s yard, he knew his prayers had, once again, gone unanswered. He could smell the blood from outside the house, could hear his sister’s nonsensical mutterings through the walls of dense stone.

Marta was bleeding out.

Delirious.

Probably already paralyzed.

If her illness followed the same pattern all the others had, she would be dead before the next moonrise. And there was nothing he could do about it.

Inside him, the power sputtered to life, surged through him. The need to heal, to fix, to do what he was destined to do. But he’d tried it so many times before on so many of his clan members, and each time, he had failed. This disease was an enemy he didn’t know how to fight.

Rage and anguish welled within him, crushing his lungs and twisting his spine into hard knots. Throwing back his head, Dylan roared with all his pent-up fury-then went inside to watch his baby sister die.

History in the remaking
by Jessa Slade on November 16th, 2009

Currently working on: Replotting Book 3
Mood: Annoyed (who plotted Book 3 the first time ’round?)

I love a good story.  I am less enthused about “real life.”  Real life is too often poorly plotted, with slow pacing, wimpy motivation and murky conflict.  And a lot of times there are too many coincidences.  And not enough sex.

For those reasons, I don’t read a lot of biographies.  They just aren’t as engaging to me as a well-crafted, entirely fictional story.  The parts I like of the “based on the true story” movies are the not-true parts.  Although I make a few exceptions.

The movie GRIZZLY MAN is one of those exceptions.  Not only is Werner Herzog an intriguing storyteller, his subject — an obsessed man and the unrelenting power of nature — was too engrossing to need fictionalizing.

But as anyone who has tried to convince a 9-year-0ld why he has to do his American history homework can tell you, history poorly told can be dry, disconnected and booooring.  So I don’t usually feature a lot of real-life historical events or people in my stories.

Which was a bit of a problem when I decided to have immortal heroes in my Marked Souls series, many of whom were born in long-gone eras. 

Even in a contemporary story, characters are influenced by historical events, whether from their own personal history or the times through which they lived.  Having characters who have existed for a couple hundred years — experiencing times outside my personal knowledge and, really, my interest — was daunting.

And kind of fascinating.  I started poking around in past events, looking for times when circumstances might have been such that the demons of my storyworld — repentant and otherwise — would have found plenty of vulnerable souls to possess.

Ferris Archer, the hero of SEDUCED BY SHADOWS (October 2009), was merely a farmer’s son — but a Southern farmer during the Civil War.  One of the heartbreaking aspects of that particular war was the way it pitted brother against brother.  Obviously, when better to rebirth a man pitted against himself?

In Book 2 of the series, FORGED OF SHADOWS (June 2010), Liam Niall’s soul was winnowed down to rotting pulp during the Irish Potato Famine.  Though he has honed himself to a fighting edge when we meet him, that hunger is still inside and makes him vulnerable not just to the demon that took him but — decades later — to his heroine.

All through history, we’ve had times when men were challenged… and found wanting.  I like this oppportunity to give them a second chance in my stories.   Not that it’ll be easy, of course.  It never is.  And that’s true of fiction and real life both.

Which time period in history do you think created the most lost souls?

Crosstown traffic
by Jessa Slade on October 5th, 2009

Currently working on: Biting nails for tomorrow’s official release!
Mood: Thinking about buying nail polish

Ever since I read a review of the first season of 24 and the reviewer complained how nobody could travel around congested LA and still have time to save the world, I’ve been conscious of my characters’ modes of transportation.  What would a demon-possessed immortal warrior clan keep in their company fleet?

car

In Book 1 of The Marked Souls, the Chicago league has done well for itself over the centuries, and has invested in a sturdy collection of decent towncars and SUVs.  Nothing flashy, of course — wouldn’t want to draw attention to the end of the world, or anything – just need a few big trunks to haul the bodies around after a particularly grim night of demon-slaying.

Due to some unfortunate circumstances in Book 1, however (totally not my fault!) by Book 2, they are reduced to rougher rides.

I admit, part of the downgrading has to do with my own travel methods.  As long as all wheels spin in approximately the same direction, I don’t much care about style.  My car shows the dings of many a camping adventure (who knew a pot hole could get so big in a desert?), and my bike’s not much better — a no-speed cruiser with rust patches.  But, hey, it gets me to the dog park.

If our vehicles say something about us, my rides better keep their mouths shut.

And while we’re on the topic of movin’ movin’ movin’,  I have a little movie I’d like to share as I move one step closer to release day!

SEDUCED BY SHADOWS book video

Just a minute
by Jessa Slade on May 18th, 2009

Currently working on: Breaking Book 2 of The Marked Souls
Mood: Remember Stitch from Lilo & Stitch? Yeah, that

Who has free time anymore?  Not me.  And yet somehow I manage to eke out a few minutes every so often to visit a few websites that amuse or inspire me.  This is for my mental health, you understand.

The Onion

I was introduced to The Onion — which bills itself as America’s Finest News Source — when I picked up a huge bound version of their fake newspapers.  Several hundred pages of fake (and yet strangely true) news later, I was numb from laughter.  Their online edition is much gentler.  Not because they water down their stinging, biting, bitterly absurd view of the world, but at least you have a chance to recover from your aching belly (from laughing) and your watering eyes (hey, it’s an onion, after all.)

One of their videos went viral recently.  Perhaps you saw it:

Video »
Trekkies Bash New Star Trek Film As ‘Fun, Watchable’
Star Trek Long time fans of the Star Trek franchise say JJ Abrams’ enjoyable, engaging prequel betrays what Star Trek is all about….more»

Some of their other recent headlines:
Paranoid Optimist Just Knows Someone Is Out To Get Him A Present
Misbuttoned Coat Makes Perfectly Sane Woman Look Like Raving Lunatic

What I love most about The Onion is their ability to fill 18-36 column inches of ridiculousness and keep a straight face the entire time.  I feel that way somedays; who doesn’t?

Etsy Dark Side

I busted a co-worker guiltily blanking her monitor one day.  When I forced her to confess, she introduced me to Etsy, the small designer arts and crafts site.  Thus, she got her revenge.  From Etsy, I discovered Etsy Dark Side, which showcases works dark and dreamy.

Even when I’m not in a position to buy (this thrice-blasted economy) I enjoy looking at the twisted brilliance that goes into some of these efforts.  Consider this gorgeous necklace, perfect for a steampunk heroine, or this… ?!:

The freaky little head is a pirate treasure box from The Pink Pirate shop, made of Fimo clay and glass eyeballs (only where needed, of course). 

I dabble in beading, painting, sculpting, etc. myself, so I am constantly amazed by the imagination and craftsmanship I find on Etsy Dark Side.  Plus, it pleases me to know that for every porcelain Lladro of a slender shepherdess with her adorable flock, on Etsy Dark Side there is a riotgrrl statuette with a battle axe.

Lastly, although I am not a huge fan of reality television (because I have my own dramas, thank you very much) I am drawn to PostSecret.  There’s a series of books based on the premise of anonymously sending a postcard of your deepest secret to a stranger who, priest-like, collects them without judgment and — not priest-like — posts them for other strangers to read. 

Since Frank, the creator, gets 1000 postcards a week, obviously a lot of people have secrets to share.  Every Sunday, a few more secrets appear on the blog.  Most of them would make suitably tortured characters in a romance novel.  Some of the secrets are funny, and some have lessons, including one that made a reader wake up and leave her abusvie boyfriend:

Those 3×5 postcards — like the scraps of information that float around the interwebs — might just be time wasters — or life savers.

Have you ever discovered something on the internet that changed your life, or just tweaked it a bit?  And remember, lives change in small ways too.

Run away!
by Jessa Slade on February 16th, 2009

holygrail

Currently working on: Nothing!
Mood: Somewhat guilty, actually

With winter still firmly plunked on the Pacific Northwest in the form of gray skies, gray water and gray moods, this week’s topic about imagining our characters on winter holiday is particularly fun. What makes it even more fun for me, is that I’m not here! I’m in Chicago on break.

Yeah, the Windy City in February. Okay, so it’s not where most people — or characters — dream of spending a few free winter days. But I have a bit of research to do. As I mentioned once before, Liam and Jilly, the leads from Book 2, get into a spot of trouble on the ‘L,’ the elevated train tracks downtown. I also need to make a run through Chinatown, go dancing at a cool nightclub, and hit up this supposedly awesome bra boutique, which are all things my hero and heroine do. Yes, even the underwear shopping. Although the hero did that, so you know it’s fiction. I would PAY my hero to go bra shopping for me.

But I digress. That’s what happens when you’re slacking on vacation.

Actually, my heroes don’t get much time off. Saving the world, blah blah. Their version of downtime is sharpening their weapons. If Sera and Archer from Book 1 were contemplating glossy four-color brochures of potential holidays away, their conversation might go something like this:

Sera: You’d look fantastic in that Speedo, love.

Archer: Where would I keep my bad-ass recurved demon-slaying ax? Would that count as a carry-on or personal item?

And that would be the end of Sera and Archer’s Caribbean adventure. So until they rid the world of evil, they’re stuck in Chicago. And I’m with them for a long weekend.

If you could put aside your saving of the world for a weekend, where would you want to go right now?